
Elma reaches the station after her pony objects to the downhill road, and Old Matthews catches the train before it pulls away. Last carriage, last compartment, miss; take the seat before the guard gives me a second whistle. You step into this one-chapter preview with Elma Clifford at the center, where choices turn on the people, promises, and pressure already in the room. The tin box gives one soft movement beneath Cyril's hand as the train slows. The chapter closes on a continuation question rather than resolving the novel's larger arc.
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